<p class="ql-block"><span style="font-size:22px;">《閑居遣懷》</span></p><p class="ql-block"><span style="font-size:22px;">結廬何必遠囂塵，</span></p><p class="ql-block"><span style="font-size:22px;">枕石聽泉臥翠筠。</span></p><p class="ql-block"><span style="font-size:22px;">徽音漫逐云移牖，</span></p><p class="ql-block"><span style="font-size:22px;">棋局閑參月印茵。</span></p><p class="ql-block"><span style="font-size:22px;">筆扶松影驚鴻度，</span></p><p class="ql-block"><span style="font-size:22px;">茶瀹巖香伴蛩呻。</span></p><p class="ql-block"><span style="font-size:22px;">春秋次第皆成譜，</span></p><p class="ql-block"><span style="font-size:22px;">葉落花開見本真。</span></p> <p class="ql-block"><span style="font-size:22px;">后記</span></p><p class="ql-block"><span style="font-size:22px;">此律之成，皆因偏愛“結廬人境而無車馬喧”的自在。字句間未尋奇險，只將日常閑趣——石邊泉、竹間月、琴中韻、棋里禪，連同筆底松風、盞中茶香與階前蛩鳴，一一織入詩行，不求辭藻華麗，唯愿留住那份“不惹塵?！钡乃沙?。</span></p><p class="ql-block"><span style="font-size:22px;">末句“葉落花開見本真”，既是收束，亦是心之所向：人間春秋本無定式，若能于筆墨棋局間觀花葉榮枯，于茶煙琴韻里察心之動靜，便也算不負這尋常歲月里的清歡了。</span></p>