<p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文化／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／我本心</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.50X1.90</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;"><span class="ql-cursor">?</span></span></p> <p class="ql-block">“每一個(gè)人的‘心’都是自我的宇宙發(fā)點(diǎn)”，當(dāng)個(gè)體之心與天地之道相連，便形成了貫通生命與存在的精神脈絡(luò)。李剛·一禪以數(shù)十年藝術(shù)實(shí)踐為基，在新中式繪畫(huà)領(lǐng)域構(gòu)建起“天垂象派”的縫隙視覺(jué)美學(xué)，將心“門(mén)”、道“門(mén)”、天“門(mén)”的哲思融入視覺(jué)語(yǔ)言，以“光”為媒介擊穿認(rèn)知縫隙，引導(dǎo)觀者走向覺(jué)醒與覺(jué)知，為當(dāng)代藝術(shù)與文化精神注入了關(guān)于生命終極追問(wèn)的深刻價(jià)值。</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／太陽(yáng)神</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"><span class="ql-cursor">?</span></span></p> <p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">Every person's' heart 'is the origin of their own universe. When an individual's heart is connected to the path of heaven and earth, it forms a spiritual thread that connects life and existence. Based on decades of artistic practice, Li Gang Yi Chan has constructed the gap visual aesthetics of the "Tian Chu Xiang School" in the field of New Chinese painting. He integrates the philosophical ideas of the "heart gate", "Dao gate", and "Tian gate" into visual language, using "light" as a medium to penetrate cognitive gaps, guiding viewers towards awakening and awareness, and injecting profound value about the ultimate questioning of life into contemporary art and cultural spirit.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文化／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／問(wèn)天1號(hào)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.50X1.90</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:20px;">一、縫隙視覺(jué)美學(xué)的哲思內(nèi)核：從“門(mén)”的隱喻到“光”的覺(jué)醒</span></p><p class="ql-block">李剛·一禪的藝術(shù)創(chuàng)作，始終以“門(mén)”為核心隱喻，構(gòu)建起個(gè)體與宇宙、有限與無(wú)限的對(duì)話通道。心“門(mén)”是自我認(rèn)知的起點(diǎn)，道“門(mén)”是自然規(guī)律的載體，天“門(mén)”則是生命與至高存在連接的樞紐，三者層層遞進(jìn)，共同指向“用心感受通天圣光”的精神追求——這束“光”既是視覺(jué)上的明暗對(duì)比，更是哲學(xué)層面的覺(jué)醒信號(hào)，呼應(yīng)著喬達(dá)摩·悉達(dá)多“從縫隙擊穿進(jìn)去之后，就是本體的無(wú)限空間，就是覺(jué)性的本體”的智慧，將縫隙從物理空間的“間隔”轉(zhuǎn)化為精神覺(jué)醒的“入口”。</p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／姚 氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;"><span class="ql-cursor">?</span></span></p> <p class="ql-block">1、 The Philosophical Core of Gap Visual Aesthetics: From the Metaphor of "Door" to the Awakening of "Light"</p><p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">Li Gang Yi Chan's artistic creation always takes "door" as the core metaphor, constructing a dialogue channel between the individual and the universe, limited and infinite. The "door" of the heart is the starting point of self-awareness, the "door" of the Tao is the carrier of natural laws, and the "door" of the sky is the hub connecting life and the supreme existence. The three progress layer by layer, pointing together to the spiritual pursuit of "feeling the holy light of the sky with the heart" - this beam of "light" is not only a visual contrast of brightness and darkness, but also a philosophical awakening signal, echoing Siddhartha Gautama's wisdom that "after penetrating through the gap, it is the infinite space of the ontology, the essence of consciousness", transforming the gap from the "interval" of physical space into the "entrance" of spiritual awakening.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文化／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／境隨心轉(zhuǎn)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.50X1.90</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block">在視覺(jué)表達(dá)上，這種哲思具象化為“縫隙美學(xué)”的獨(dú)特范式。李剛·一禪并未追求完整、飽滿的畫(huà)面構(gòu)圖，反而刻意保留或營(yíng)造“縫隙”：可能是山石間的一道留白，可能是人物眉眼間的一縷光影，亦或是天地交界處的一抹漸變。這些“縫隙”打破了視覺(jué)的封閉性，讓觀者的視線與思緒得以穿透畫(huà)面表層，進(jìn)入“本體的無(wú)限空間”——正如視覺(jué)是藝術(shù)的核心，“覺(jué)醒、覺(jué)悟、覺(jué)知”通過(guò)這些縫隙轉(zhuǎn)化為可感知的視覺(jué)沖擊力，使繪畫(huà)不再是單純的圖像呈現(xiàn)，而是引導(dǎo)觀者叩問(wèn)自我、連接天地的精神媒介。</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／天人合一</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.90</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">In terms of visual expression, this philosophical thinking is concretized into a unique paradigm of "crevice aesthetics". Li Gang Yi Chan did not pursue a complete and full composition of the picture, but deliberately preserved or created "gaps": it may be a blank space between mountains and rocks, a ray of light and shadow between characters' eyebrows and eyes, or a gradient at the junction of heaven and earth. These "gaps" break the visual barrier, allowing the viewer's gaze and thoughts to penetrate the surface of the image and enter the "infinite space of the ontology" - just as vision is the core of art, "awakening, consciousness, and awareness" are transformed into perceptible visual impact through these gaps, making painting no longer a simple image presentation, but a spiritual medium that guides viewers to question themselves and connect with heaven and earth.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／山河大地是如來(lái)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.50X1.90</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:20px;">二、文化基因的當(dāng)代轉(zhuǎn)譯：祈福與吉祥的精神共鳴</span></p><p class="ql-block">李剛·一禪的“天垂象派”縫隙美學(xué)，深植于東方文化土壤，尤其將“祈福文化”與“吉祥文化”這一東方人特有的精神符號(hào)，轉(zhuǎn)化為當(dāng)代藝術(shù)語(yǔ)言。祈福與吉祥，本質(zhì)是人類對(duì)未來(lái)的敬畏、對(duì)生命的珍視，是東方文化中“天人合一”理念的生活化表達(dá)；而李剛·一禪通過(guò)繪畫(huà)，將這種樸素的文化情感升華為對(duì)生命意義的深層探尋——畫(huà)面中的“光”不再只是吉祥的象征，更是“問(wèn)天問(wèn)地之生命之光”，既承載著東方人對(duì)希望的崇尚，又超越了具體的祈福場(chǎng)景，指向“我們從哪里來(lái)、到哪里去”的終極命題。</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／文字?一個(gè)中</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.96X1.26</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"><span class="ql-cursor">?</span></span></p> <p class="ql-block">2、 Contemporary translation of cultural genes: spiritual resonance of prayer and auspiciousness</p><p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">Li Gang Yi Chan's "Tian Chui Xiang School" gap aesthetics are deeply rooted in the soil of Eastern culture, especially transforming the unique spiritual symbols of "blessing culture" and "auspicious culture" into contemporary artistic language. Prayers and auspiciousness are essentially the reverence of humanity for the future and the cherishing of life, and are the practical expression of the concept of "unity of heaven and man" in Eastern culture; Through painting, Li Gang Yi Chan sublimates this simple cultural emotion into a deep exploration of the meaning of life - the "light" in the picture is no longer just a symbol of auspiciousness, but also the "light of life that questions heaven and earth". It not only carries the Eastern people's admiration for hope, but also transcends specific prayer scenes, pointing to the ultimate proposition of "where do we come from and where are we going".</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／陸 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block">這種文化轉(zhuǎn)譯的價(jià)值，在于其擺脫了傳統(tǒng)吉祥符號(hào)的刻板呈現(xiàn)，以“縫隙”與“光”的互動(dòng)重構(gòu)文化記憶。例如，在其新中式繪畫(huà)中，代表吉祥的云紋不再是完整的裝飾圖案，而是以破碎、彌散的形態(tài)藏于“縫隙”之間，與穿透縫隙的“光”相互映襯——既保留了吉祥文化的精神內(nèi)核，又賦予其當(dāng)代藝術(shù)的先鋒性，讓東方文化基因在全球化語(yǔ)境下煥發(fā)生機(jī)，也讓當(dāng)代觀者能從熟悉的文化情感切入，逐步感知“心門(mén)”覺(jué)醒的深層哲思。</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／水 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">The value of this cultural translation lies in breaking away from the stereotypical presentation of traditional auspicious symbols and reconstructing cultural memory through the interaction of "gaps" and "light". For example, in its new Chinese style paintings, the cloud patterns representing auspiciousness are no longer complete decorative patterns, but are hidden in broken and scattered forms between "gaps", complementing the "light" that penetrates the gaps - retaining the spiritual core of auspicious culture while endowing it with avant-garde contemporary art, revitalizing the genes of Eastern culture in the context of globalization, and allowing contemporary viewers to gradually perceive the deep philosophical awakening of the "heart gate" from familiar cultural emotions.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／秦 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"><span class="ql-cursor">?</span></span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:20px;">三、時(shí)代精神的藝術(shù)回應(yīng)：生命意義的視覺(jué)追問(wèn)</span></p><p class="ql-block">在物質(zhì)主義盛行的當(dāng)代，“探尋生命意義”成為普遍的精神需求，而李剛·一禪的“天垂象派”縫隙視覺(jué)美學(xué)，正是對(duì)這一時(shí)代精神的精準(zhǔn)回應(yīng)。他以“追光者”的姿態(tài)，將幾十年藝術(shù)生涯聚焦于“心門(mén)之光”，通過(guò)繪畫(huà)為觀者提供了一個(gè)“停下來(lái)叩問(wèn)生命”的視覺(jué)場(chǎng)域：當(dāng)觀者面對(duì)畫(huà)面中的“縫隙”與“光”，視覺(jué)上的沖擊會(huì)轉(zhuǎn)化為精神上的反思——“縫隙”象征著現(xiàn)實(shí)世界的局限與困惑，“光”則代表著突破局限、抵達(dá)覺(jué)性本體的可能，這種視覺(jué)語(yǔ)言的張力，恰好契合了當(dāng)代人對(duì)“突破精神困境、尋找生命價(jià)值”的渴望。</p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／正大光明</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.50X150</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;"><span class="ql-cursor">?</span></span></p> <p class="ql-block">3、 Artistic Response to the Spirit of the Times: Visual Inquiry into the Meaning of Life</p><p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">In the contemporary era where materialism is prevalent, "exploring the meaning of life" has become a universal spiritual need, and Li Gang Yi Chan's "Tian Chu Xiang Pai" gap visual aesthetics is a precise response to the spirit of this era. He takes the posture of a "seeker of light" and focuses his decades long artistic career on the "light of the heart". Through painting, he provides viewers with a visual field to "stop and question life": when viewers face the "gaps" and "light" in the picture, the visual impact will be transformed into spiritual reflection - "gaps" symbolize the limitations and confusion of the real world, while "light" represents the possibility of breaking through limitations and reaching the essence of consciousness. The tension of this visual language perfectly matches the contemporary people's desire to "break through spiritual difficulties and find the value of life".</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／趙 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block">更重要的是，這種藝術(shù)回應(yīng)并非單向的“灌輸”，而是雙向的“引導(dǎo)”。李剛·一禪并未在畫(huà)面中給出“生命意義”的標(biāo)準(zhǔn)答案，而是通過(guò)“縫隙美學(xué)”留下開(kāi)放的解讀空間——每個(gè)觀者都能從自己的生命體驗(yàn)出發(fā)，在“擊穿縫隙見(jiàn)本體”的視覺(jué)過(guò)程中，找到屬于自己的“覺(jué)醒路徑”。這種開(kāi)放性，讓他的藝術(shù)超越了個(gè)體表達(dá)，成為一種“公共的精神媒介”，為當(dāng)代社會(huì)提供了以視覺(jué)為起點(diǎn)、以覺(jué)醒為目標(biāo)的生命思考方式，彰顯了藝術(shù)對(duì)時(shí)代精神的引領(lǐng)價(jià)值。</p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／丁 氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;"><span class="ql-cursor">?</span></span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">More importantly, this artistic response is not a one-way 'indoctrination', but a two-way 'guidance'. Li Gang Yi Chan did not provide a standard answer for the meaning of life in the picture, but left an open interpretation space through "gap aesthetics" - each viewer can start from their own life experience and find their own "awakening path" in the visual process of "penetrating the gap to see the essence". This openness allows his art to transcend individual expression and become a 'public spiritual medium', providing contemporary society with a way of thinking about life that starts with vision and aims for awakening, demonstrating the guiding value of art for the spirit of the times.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／姜 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"><span class="ql-cursor">?</span></span></p> <p class="ql-block">從“門(mén)”的隱喻到“光”的覺(jué)醒，從東方文化的當(dāng)代轉(zhuǎn)譯到時(shí)代精神的藝術(shù)回應(yīng)，李剛·一禪的“天垂象派”縫隙視覺(jué)美學(xué)，不僅構(gòu)建了獨(dú)特的藝術(shù)語(yǔ)言，更搭建了一座連接個(gè)體與宇宙、傳統(tǒng)與當(dāng)代、視覺(jué)與哲思的橋梁。其價(jià)值不僅在于藝術(shù)層面的創(chuàng)新，更在于以視覺(jué)為媒介，引導(dǎo)更多人叩問(wèn)“心門(mén)”、追尋“生命之光”，在當(dāng)代社會(huì)中為“探尋生命意義”提供了可感知、可參與的藝術(shù)路徑，也為新中式繪畫(huà)的發(fā)展與東方美學(xué)的當(dāng)代傳播，提供了極具啟發(fā)性的實(shí)踐范式。</p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／孫 氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;"><span class="ql-cursor">?</span></span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">From the metaphor of "door" to the awakening of "light", from the contemporary translation of Eastern culture to the artistic response of the spirit of the times, Li Gang Yi Chan's "Tian Chu Xiang Pai" gap visual aesthetics not only constructs a unique artistic language, but also builds a bridge connecting individuals and the universe, tradition and modernity, and vision and philosophy. Its value lies not only in artistic innovation, but also in using visual media to guide more people to question the "door of the heart" and pursue the "light of life", providing a perceptible and participatory artistic path for "exploring the meaning of life" in contemporary society. It also provides a highly inspiring practical paradigm for the development of new Chinese painting and the contemporary dissemination of Eastern aesthetics.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／程 氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;"><span class="ql-cursor">?</span></span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文化／一禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／格物致知</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.50X1.90</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫(huà)符（視頻）</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫(huà)符（視頻）</span></p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;"><span class="ql-cursor">?</span></span></p><p class="ql-block">?</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">????????????</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">李剛·一禪／雕塑家 畫(huà)家 書(shū)法家</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">（生于新疆）原籍貫江蘇省 徐州市</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">1985年在中央美術(shù)學(xué)院油畫(huà)系學(xué)習(xí)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">1993在中央美術(shù)學(xué)院雕塑系助教研修班學(xué)習(xí)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">1995年在中央美術(shù)學(xué)院城市雕塑高級(jí)研修班學(xué)習(xí)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">（俄羅斯列賓美術(shù)學(xué)院 庫(kù)巴索夫主講）</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">曾經(jīng)任教新疆藝術(shù)學(xué)院</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">1996年創(chuàng)辦新疆城市雕塑創(chuàng)作設(shè)計(jì)研究中心</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">中國(guó)雕塑家學(xué)會(huì)理事</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">中國(guó)當(dāng)代雕塑研究院副院長(zhǎng)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">中國(guó)工藝美術(shù)學(xué)會(huì)雕塑專業(yè)委員會(huì)委員</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">匈牙利中旬美術(shù)家協(xié)會(huì)副主席</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">新疆雕塑學(xué)會(huì)副會(huì)長(zhǎng)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">北京城市規(guī)劃研究會(huì)公共環(huán)境與雕塑委員會(huì)副主任</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">原北京城市雕塑辦公室專家 顧問(wèn)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">????????????</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">乙巳年</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">2025年10月18日</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">北 京</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">文／尚柔</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">圖片/謫仙</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">翻譯／心語(yǔ)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">總監(jiān)／一禪</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">百度 搜索</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">“天垂象派”</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">“雕塑家李剛”、“李剛立體主義”</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">可以了解更多有關(guān)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">雕塑家李剛作品及藝術(shù)評(píng)論</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">致謝“百度“支持</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">致謝“抖音”支持</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">部分圖片（視頻）來(lái)自“百度”“抖音”支持</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">歡迎您</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">互相交流 相互支持</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">誠(chéng)摯建立一個(gè)良好的交流平臺(tái)，</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">為能量文化做好自己</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">北京通州區(qū)宋莊園領(lǐng)部落C幢4單元102室</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">李剛雕塑藝術(shù)工作室</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">AAbc?原創(chuàng)/中國(guó)藝術(shù)&線上國(guó)際</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">感謝閱讀能量文化</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">歡迎支持轉(zhuǎn)摘.轉(zhuǎn)發(fā)中國(guó)能量文化</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">本?平臺(tái)無(wú)嘗為一線各類優(yōu)秀藝術(shù)家服務(wù)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">可在留言處留言</span></p>