<p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／心向光明</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.96X1.26</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block"><span style="color:rgb(1, 1, 1);">在當(dāng)代藝術(shù)的紛繁語境中，李剛?一禪先生以其創(chuàng)立的“天垂象派”，構(gòu)筑了一條通向存在本源的獨特路徑。他并非在描繪物象的表層，而是在進行一場關(guān)于“本體世界”的視覺修行，其核心，便是那充滿哲思與靈光的“縫隙美學(xué)”。</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／格物致知</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.96X1.56</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">In the complex context of contemporary art, Mr. Li Gang Yichan has constructed a unique path towards the origin of existence through his creation of the "Tian Chuxiang School". He is not depicting the surface of objects, but conducting a visual practice about the 'ontological world', with the core being the 'crevice aesthetics' full of philosophical and spiritual insights.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／熊 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:22px;">一、 縫隙</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:22px;">通往本體的擊穿點</span></p><p class="ql-block">“兩點之間就是當(dāng)下，從縫隙擊穿進去之后，就是本體的無限空間，就是覺性的本體?！薄獑踢_(dá)摩·悉達(dá)多的這一哲思，成為李剛?一禪藝術(shù)實踐的燈塔。在他的理解中，我們所見的表象世界，如同一個致密的連續(xù)體，而“縫隙”正是這連續(xù)體中最薄弱、卻也最關(guān)鍵的節(jié)點。它不僅是物理性的間隙，更是時空的裂縫，是意識從現(xiàn)象滑向本質(zhì)的臨界點。</p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／問天1號</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.96X1.56</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128);">1、 Gap: the breakdown point leading to the body</span></p><p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">The present moment lies between two points, and once it penetrates through the gap, it becomes the infinite space of the essence, the essence of consciousness. "- Siddhartha Gautama's philosophy has become a lighthouse for Li Gang's Zen art practice. In his understanding, the world of appearances we see is like a dense continuum, and the 'gap' is the weakest yet most critical node in this continuum. It is not only a physical gap, but also a rift in time and space, a critical point for consciousness to slide from phenomena to essence.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／鐘氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block">藝術(shù)家以筆鋒為槌，以色彩為鑿，所做的便是“擊穿縫隙”。這并非破壞，而是一種開啟，一種頓悟式的切入。當(dāng)那看似微不足道的“縫隙”被藝術(shù)的力量猛然擊穿，我們習(xí)以為常的視覺邏輯與時空秩序隨之坍縮，一個超越形相、深邃無垠的“覺性本體世界”豁然顯現(xiàn)。這瞬間的“擊穿”，是藝術(shù)行為與哲學(xué)頓悟的合一，是李剛?一禪“縫隙美學(xué)”的動態(tài)核心。</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／柏氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">Artists use the tip of their pen as a hammer and color as a chisel to create 'piercing through gaps'. This is not destruction, but an opening, an epiphany like entry. When the seemingly insignificant "gap" is suddenly penetrated by the power of art, the visual logic and temporal order that we are accustomed to collapse, and a profound and boundless "consciousness ontology world" that transcends form suddenly appears. This momentary 'breakdown' is the integration of artistic behavior and philosophical enlightenment, and is the dynamic core of Li Gang's' Gap Aesthetics'.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／王氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:22px;">二、 天垂象</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:22px;">符號的熔煉與視覺的舍利</span></p><p class="ql-block">作為“天垂象派”的創(chuàng)建者，李剛?一禪并非憑空創(chuàng)造。他的深厚根基，在于將中國最古老的智慧系統(tǒng)——吉祥文字、甲骨文密碼與伏羲卦象——進行當(dāng)代性的視覺熔煉。</p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／戚氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128);">2、 The Celestial Elephant: The Melting of Symbols and the Relics of Vision</span></p><p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">As the creator of the 'Tianchuixiang School', Li Gang Yichan did not create it out of thin air. His profound foundation lies in the contemporary visual melting of China's oldest wisdom system - auspicious characters, oracle bone script codes, and Fuxi hexagrams.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／郭氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block">這些古老的符號，本身即是先民感知“天垂象”的結(jié)晶，是連接天地、溝通人神的密碼。李剛?一禪以藝術(shù)家的敏銳與哲思者的深邃，將它們從歷史的塵封中喚醒，投入當(dāng)代意識的熔爐。在他的筆下，甲骨文的筆畫不再是簡單的記事，伏羲卦象的線條也不再僅是占卜的符號，它們被解構(gòu)、重組、灌注以色彩的能量的精神的輝光，最終淬煉成一種“視覺的舍利”。這“舍利”璀璨、堅實，是文化基因與靈性體驗在高溫高壓下的結(jié)晶，是“天垂象”在當(dāng)代的再次彰顯。</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／林氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">These ancient symbols are themselves the crystallization of our ancestors' perception of the "hanging image of the sky", and are the code that connects heaven and earth and communicates between humans and gods. Li Gang Yi Chan awakens them from the dust of history and immerses them in the melting pot of contemporary consciousness with the sensitivity of an artist and the profundity of a philosopher. Under his pen, the strokes of oracle bone inscriptions are no longer simple records, and the lines of Fuxi hexagrams are no longer just symbols of divination. They are deconstructed, reorganized, infused with the spiritual glow of color energy, and ultimately refined into a kind of "visual relic". This' relic 'is brilliant and solid, the crystallization of cultural genes and spiritual experiences under high temperature and pressure, and the re manifestation of the' heavenly image 'in contemporary times.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／姜氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:22px;">三、 擺渡者</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:22px;">?在哲學(xué)與神秘主義之間</span></p><p class="ql-block">李剛?一禪的藝術(shù)身份，是一位從容的“擺渡者”。他的舟楫，是極具張力的視覺語言；他的航程，往返于喬達(dá)摩·悉達(dá)多揭示的本體論哲學(xué)與東方神秘主義的浩瀚海洋之間。</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／山河大地是如來</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.96X1.56</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128);">3、 Ferryman: Between Philosophy and Mysticism</span></p><p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">Li Gang Yi Chan's artistic identity is that of a calm 'ferryman'. His boat is a highly dynamic visual language; His journey shuttled between the ontological philosophy revealed by Siddhartha Gautama and the vast ocean of Eastern mysticism.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／葉氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block">他從佛陀關(guān)于“實相”、“覺性”的深刻洞察中汲取方向，又將這方向的追尋，根植于東方神秘主義（如易學(xué)、道家思想）的肥沃土壤。他的作品，因而既是哲學(xué)的視覺注腳，又是神秘體驗的當(dāng)代場域。他搭建的，是一座讓觀者可以借此從紛擾的現(xiàn)象界擺渡到寧靜本體界的橋梁。在這擺渡的過程中，“縫隙美學(xué)”是那關(guān)鍵的動力與航道。</p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／閻氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／0.500.60</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">He drew direction from the profound insights of Buddha on "reality" and "awareness", and rooted his pursuit of this direction in the fertile soil of Eastern mysticism (such as Yi ology and Taoist thought). His works are therefore both visual footnotes to philosophy and contemporary fields of mystical experiences. What he built is a bridge that allows viewers to ferry from the chaotic realm of phenomena to the tranquil realm of reality. In the process of ferrying, "crevice aesthetics" is the key driving force and channel.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／丁氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:22px;">追光者的饋贈</span></p><p class="ql-block">李剛?一禪，這位“縫隙美學(xué)”的追光者，以其獨特的藝術(shù)實踐，為我們提供了一種重新觀看世界、體認(rèn)自身的可能。他提醒我們，在表象的堅固壁壘之下，存在著無數(shù)可供“擊穿”的縫隙。每一次對縫隙的凝視與叩擊，都可能是一次靈光的迸發(fā)，一次向內(nèi)在無限覺性空間的回歸。</p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／羅氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128);">Gift from the Chaser of Light</span></p><p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">Li Gang Yichan, the pursuer of "crevice aesthetics", provides us with a possibility to re-examine the world and recognize ourselves through his unique artistic practice. He reminds us that beneath the solid barriers of appearances, there are countless gaps that can be 'penetrated'. Every gaze and tapping into the gap may be a burst of spiritual light, a return to the infinite inner space of consciousness.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品/正大光明</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;"><span class="ql-cursor">?</span></span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block">他的作品，不僅是懸掛于墻上的視覺圖像，更是引導(dǎo)觀者進行內(nèi)在探索的儀軌與地圖。在擊穿縫隙的剎那，在色彩與符號的坍縮之處，那束追索已久的光，終于照見了我們自身那如如不動、圓滿具足的“本體世界”。這，正是李剛?一禪先生及其“縫隙美學(xué)”給予這個時代最珍貴的饋贈。</p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／祁氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">His works are not only visual images hanging on walls, but also rituals and maps that guide viewers to explore internally. At the moment of piercing through the gap, at the collapse of colors and symbols, the beam of light that has been pursued for a long time finally shines upon our own motionless and complete 'ontological world'. This is precisely the most precious gift that Mr. Li Gang Yichan and his "Gap Aesthetics" have given to this era.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品/陸氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／梁氏</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;"><span class="ql-cursor">?</span></span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字/一禪畫符（視頻）</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字/一禪畫符（視頻）</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">????????????</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">李剛·一禪／雕塑家 畫家 書法家</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">（生于新疆）原籍貫江蘇省 徐州市</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">1985年在中央美術(shù)學(xué)院油畫系學(xué)習(xí)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">1993在中央美術(shù)學(xué)院雕塑系助教研修班學(xué)習(xí)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">1995年在中央美術(shù)學(xué)院城市雕塑高級研修班學(xué)習(xí)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">（俄羅斯列賓美術(shù)學(xué)院 庫巴索夫主講）</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">曾經(jīng)任教新疆藝術(shù)學(xué)院</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">1996年創(chuàng)辦新疆城市雕塑創(chuàng)作設(shè)計研究中心</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">中國雕塑家學(xué)會理事</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">中國當(dāng)代雕塑研究院副院長</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">中國工藝美術(shù)學(xué)會雕塑專業(yè)委員會委員</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">匈牙利中旬美術(shù)家協(xié)會副主席</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">新疆雕塑學(xué)會副會長</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">北京城市規(guī)劃研究會公共環(huán)境與</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?雕塑委員會副主任</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">原北京城市雕塑辦公室專家 顧問</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">????????????</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">乙巳年</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">2025年10月6日</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">北 京</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">文／尚柔</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">圖片/謫仙</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">翻譯／心語</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">總監(jiān)／一禪</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">百度 搜索</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">“天垂象派構(gòu)建者”</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">“雕塑家李剛”、“李剛立體主義”</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">可以了解更多有關(guān)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">雕塑家李剛作品及藝術(shù)評論</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">致謝“百度“支持</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">致謝“抖音”支持</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">部分圖片（視頻）來自“百度”“抖音”支持</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">歡迎您</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">互相交流 相互支持</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">誠摯建立一個良好的交流平臺，</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">為能量文化做好自己</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">北京通州區(qū)宋莊園領(lǐng)部落C幢4單元102室</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">李剛雕塑藝術(shù)工作室</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">AAbc?原創(chuàng)/中國藝術(shù)&線上國際</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">感謝閱讀能量文化</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">歡迎支持轉(zhuǎn)摘.轉(zhuǎn)發(fā)中國能量文化</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">本?平臺無嘗為一線各類優(yōu)秀藝術(shù)家服務(wù)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">可在留言處留言</span></p>